Lanval and Yonec Essay -- Literary Analysis, Marie de France

ofttimes times in literature the tree trunk becomes a symbolic ramify of the story. The clay may come to define the character, emphasize a certain(p) motif of the story, or symbolize the authors or troupes mindset. The representation of the organic structure becomes significant for the story. In the representation of their consistency in the works of Marie de Frances lais Lanval and Y iodinec, the body is represented in opp geniusnt views. In Lanval, France clearly emphasizes the pure beauty of the body and the power the perfect beauty holds, which Lanvals nance Queen exhibits. In Frances Y 1c, she diverts the reviewers attention from the image of the paperl body and emphasizes a body without a specific form and fluidity between the forms. Y adeptc focuses on a love not based on the body. Although the representations of the body contradict one another, France uses two(prenominal) representation to emphasize the private and, in a way, weird nature of love that cannot be contained by the benignant world. In both lais, the love shared between the protagonists is something that is required to be kept in private and goes beyond a single world into another world. In Frances Lanval, Marie de France emphasizes the rarified and pure body of Lanvals butt Queen. France describes the Fairy Queen as elegant, her hips slim, her neck whiter than snow on a branch, her eyeball bright, her face white, a beautiful mouth (France, 109). The Fairy Queen is presented to the reviewer as the classic, thought processl beauty that captures the attention and, unknowingly, the mind of her lover. After clashing the Fairy Queen, Lanval pledges his life to her. He states, There is nothing you might dominate, at bottom my power, that I would not do, whether foolish or wise. I shall obey your involve (France, 108). ... ...tion of both methods can be used to show Frances idea of what love is. Patrick John Ireland argued that Frances idea of love is a gay force controlle d by man with great difficulty it is a spontaneous, natural, and all-consuming power, the visit of which leads to an almost blind passion at times (133). To be in love, one must be entirely devoted and passionate to one another to the point of blind passion. This is so for Yonec (the Princess jumps out of the tower) and Lanval (Lanvals ace rejection of the gentleman world until he is brought into the world of his lover). Not only does France depict love as natural and all-consuming, but also shows the private and unworldly nature of love that cannot be contained to the realm of the homosexual world. Rather, love transcends the boundaries of the human world and enters into a world where love reigns supreme. Lanval and Yonec Essay -- Literary Analysis, Marie de France frequently times in literature the body becomes a symbolic helping of the story. The body may come to define the character, emphasize a certain motif of the story, or symbolize the authors or fa miliaritys mindset. The representation of the body becomes significant for the story. In the representation of their body in the works of Marie de Frances lais Lanval and Yonec, the body is represented in opposing views. In Lanval, France clearly emphasizes the pure beauty of the body and the power the ideal beauty holds, which Lanvals Fairy Queen portrays. In Frances Yonec, she diverts the referees attention from the image of the ideal body and emphasizes a body without a specific form and fluidity between the forms. Yonec focuses on a love not based on the body. Although the representations of the body contradict one another, France uses both representation to emphasize the private and, in a way, preternatural nature of love that cannot be contained by the human world. In both lais, the love shared between the protagonists is something that is required to be kept in private and goes beyond a single world into another world. In Frances Lanval, Marie de France emphasizes the ideal and pure body of Lanvals Fairy Queen. France describes the Fairy Queen as elegant, her hips slim, her neck whiter than snow on a branch, her eye bright, her face white, a beautiful mouth (France, 109). The Fairy Queen is presented to the proofreader as the classic, ideal beauty that captures the attention and, unknowingly, the mind of her lover. After clashing the Fairy Queen, Lanval pledges his life to her. He states, There is nothing you might command, within my power, that I would not do, whether foolish or wise. I shall obey your command (France, 108). ... ...tion of both methods can be used to show Frances idea of what love is. Patrick John Ireland argued that Frances idea of love is a human force controlled by man with great difficulty it is a spontaneous, natural, and all-consuming power, the start of which leads to an almost blind passion at times (133). To be in love, one must be entirely devoted and passionate to one another to the point of blind passion. This is so for Yonec (the Princess jumps out of the tower) and Lanval (Lanvals masterful rejection of the human world until he is brought into the world of his lover). Not only does France portray love as natural and all-consuming, but also shows the private and spectral nature of love that cannot be contained to the realm of the human world. Rather, love transcends the boundaries of the human world and enters into a world where love reigns supreme.